莫高窟第61窟《回鹘女供养人》文创设计研究

Cultural and Creative Design of “Uighur Patron Women” in Cave 61 of Mogao Grottoes

中文关键词: 敦煌石窟  供养人  回鹘  文创设计

英文关键词: Dunhuang Grottoes  providers  Uighurs  creative design

中文摘要:

      目的 针对社会文创设计出现的两种典型误区，以敦煌莫高窟第61窟女供养人文创设计为例进行设计研究实践，梳理出传统视觉形象的研究方法和创新设计方法，以此传承和保护中国传统文化。方法 采用“图解法”对莫高窟第61窟东壁南侧女供养人的人物身份、妆容、发饰、服饰、色彩、局部等进行深入剖析，并将其作为文创衍生设计的根本来源，总结适用于当今社会的传统文化视觉元素创新设计方法，实现以传统文化为本源、艺术设计为手段、文创设计为载体的传统文化现代设计转译。结论 依据“图解法”完成文创衍生设计，实现传统文化与现代设计的深度融合，有助于为不同传统文化题材的文创设计提供借鉴之意。

英文摘要:

      In view of the two typical misunderstandings in social cultural and creative design, the work aims to conduct design research and practice the women's humanistic design in cave 61 of Mogao Grottoes in Dunhuang as an example to sort out the research methods of traditional visual image and innovative design methods, so as to inherit and protect Chinese traditional culture. The work analyzed the identity, makeup, hair ornament, dress, color and part of the patron woman at the south side of the east wall of cave 61 of Mogao Grottoes by “graphic method” and took it as the basic source of cultural and creative design. It summarized the innovative design methods of visual elements of traditional culture that are suitable for today’s society and realized the goal of taking traditional culture as the source, art design as the means and cultural and creative design as the carrier of traditional culture and modern design translation.The completion of the cultural and creative derivative design according to the “graphic method”, and the integration of traditional culture and modern design will help to provide reference for cultural and creative design of different traditional cultural themes.