基于奥伯豪森煤气罐系列展览的沉浸式公共文化体验设计研究

Immersive Public Cultural Experience Design Based on Exhibitions in Oberhausen Gasometer

中文关键词: 沉浸式体验  公共文化空间  彼得.帕钦尼克  展陈设计

英文关键词: immersive experience  public cultural space  Peter Pachnicke  exhibition design

中文摘要:

      目的 通过对德国策展人彼得.帕钦尼克(Peter Pachnicke)在奥伯豪森煤气罐中策划的系列展览进行述评，总结其沉浸式公共文化体验的设计方法。方法 通过分析沉浸式体验的理论基础——心流，总结展览中沉浸式体验的定义、特征、影响因素与结果。以策展人彼得在奥伯豪森煤气罐中策划的系列展览为例，总结其对于商业、社会文化以及区域活化方面的影响，分析其沉浸式体验的设计与实现方法。结论 奥伯豪森煤气罐系列展览建设团队通过跨学科的协作，为观众带来了沉浸式公共文化体验。经过吸引、感受、参与、启发、融汇5个步骤，利用情境塑造、多感官刺激、多元活动、叙事、冥想引导等手段逐步引导观众从身体与环境的互动到心智与文化的沟通。在沉浸式体验中感受艺术，理解文化，反思自我，进而在深层的情感触动与思考中与文化相连，获得身心的双重满足。

英文摘要:

      By reviewing the series of exhibitions curated by German curator Peter Pachnicke in the Oberhausen Gasometer, this paper summarizes the design methods for public cultural immersive experience. The definition, characteristics, influencing factors and results of immersive experience in the exhibition are summarized by analyzing the theoretical basis of immersive experience, which is called Flow. Take the series of exhibitions curated by curator Peter in the Oberhausen Gasometer as an example, this paper summarizes its impact on business, social culture and regional activation, and analyzes the design method for immersive experience and implementation. The exhibition developing team brings an immersive public cultural experience to the audience through interdisciplinary collaboration. Through five steps of attraction, feeling, participation, inspiration, and integration, using situation modeling, multi-sensory stimulation, multiple activities, narration, meditation guidance and other means, the exhibition gradually guides the audience from the interaction of the senses and the environment to the communication of the mind and culture. Through feeling the art in an immersive experience, understanding the culture, reflecting on themselves, and then connecting with the culture in deep emotional touch and thinking, people can get double satisfaction of body and mind.