文章摘要
李敏,张希望,郝娅佩,贾琦,张雪,孟国栋.基于可拓符号学和眼动实验的黄梅挑花再设计研究[J].包装工程,2024,(10):213-224.
基于可拓符号学和眼动实验的黄梅挑花再设计研究
Redesign of Huangmei Cross-stitch Based on Topological Semiotics and Eye-movement Experiments
投稿时间:2023-12-12  
DOI:10.19554/j.cnki.1001-3563.2024.10.023
中文关键词: 传统文化符号  黄梅挑花  可拓符号学  眼动追踪  可拓语义
英文关键词: traditional cultural symbols  Huangmei cross-stitch  topological semiotics  eye-movement experiments  topological semantics
基金项目:教育部人文社科规划基金项目(20YJA760036);湖北省社科基金一般项目(2021292)
作者单位
李敏 湖北工业大学 工业设计学院武汉 430068 
张希望 湖北工业大学 工业设计学院武汉 430068 
郝娅佩 湖北工业大学 工业设计学院武汉 430068 
贾琦 湖北工业大学 工业设计学院武汉 430068 
张雪 上海星宸科技股份有限公司上海 201210 
孟国栋 河北大学 数学与信息科学学院河北 保定 071000 
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中文摘要:
      目的 针对传统文化符号再设计过程中,显隐性因子提取与表征存在模糊主观问题,提出一种基于可拓符号学和眼动实验的显隐性文化特征提取与应用的研究方法。方法 以黄梅挑花为例,在可拓符号学的基础上融入眼动实验,首先,利用爬虫技术提取黄梅挑花文化特征词(隐性因子),并进行可拓语义评估得到其可拓区间值;其次,运用眼动实验提取挑花纹样特征(显性因子),结合隐性因子可拓区间值进行综合图解语义评估;最后,将图案元素进行可拓变换设计。结果 变换结果在服饰纹样图案设计中得到合理应用。结论 研究表明:运用该方法可修正传统的依据从业经验及主观思维表征文化特征存在的偏差,能客观、科学地提取显隐性因子并作为设计因素,有助于更好地表达文创产品的文化内涵。
英文摘要:
      Specific to the fuzzy and subjective problem of explicit and implicit factor extraction and characterization in the process of traditional cultural symbol redesign, the work aims to propose a research method of explicit and implicit cultural feature extraction and application based on topological semiotics and eye-movement experiments. Taking Huangmei cross-stitch as an example, based on the topological semiotics, eye-movement experiments were incorporated. Firstly, the cultural feature words of Huangmei cross-stitch (implicit factor) were extracted by crawling technique and their topological interval values were obtained by topological semantic evaluation. Secondly, the eye-movement experiments were used to extract the pattern features (explicit factors) and combine them with the implicit factor topological interval values for comprehensive graphical semantic evaluation. Finally, the pattern elements were designed by topological transformation. The transformation results were reasonably applied in the design of costume patterns. The research shows that this method can correct the bias of the traditional characterization of cultural features based on practitioners' experience and subjective thinking, and can objectively and scientifically extract explicit and implicit factors as design factors, which helps to better express the cultural connotation of cultural and creative products.
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