中国手工艺从乡土观向智创观进化的“变在”方法论研究

from the Vernacular View to the Intellectual Creation View

中文关键词: 中国手工艺  乡土观  智创观  “变在”方法论

英文关键词: Chinese handicrafts  vernacular view  intellectual creation view  "Change Exists" methodology

中文摘要:

      目的 通过对早期中国手工艺存在的意义与智创时代下的手工艺发展现实的梳理，以手工艺延绵至今“变在”内涵品格的确认，提出智创型手工艺发展聚焦重点与核心要旨。方法 构建了中国手工艺从乡土观向智创观进化的“变在”方法论，包括因技而变，重新打量传统工艺对技术的态度，回应手工艺原本存在价值;因用而在，构建日用实践格局，实现智创型工艺共享;共在生境，营造人文关系共在共处的境域，提供整体观立场与会通性视角。结论 跳出二元对立观念束缚，提供“历史性连接”“智识性内涵”两个手工艺系统下“变在”的基本理论，解释手工艺能够长存而不被外力所解构的内在动力与本质特征。

英文摘要:

      Through sorting out the significance of the existence of early Chinese handicrafts and the reality of handicraft development in the era of intellectual creation, and recognizing the connotation of handicrafts as "Change Exists" character, the work aims to put forward the focus and core objectives of the development of intellectual creative handicrafts. The methodology of "Change Exists" for the evolution of Chinese handicrafts from the vernacular view to the intellectual creation view was constructed, including "Change" due to technology, for remeasuring the attitude of traditional handicrafts towards technology and responding to the original existential value of handicrafts, "Existence" due to use, for constructing the pattern of daily practice and realizing the sharing of intellectual creative handicrafts and "Coexistence" in the habitat, for creating a realm of coexistence in humanistic relations and providing a holistic stance and a generalized perspective. Jumping out of the boundaries of dichotomy and providing two basic theories of "Change Exists" under two handicraft systems of "historical connection" and "intellectual connotation", the study explains the intrinsic motivation and essential characteristics that enable handicrafts to survive and not be deconstructed by external forces.