唐代铜镜纹饰的现代转化与设计应用

Modern Transformation and Design Application of Bronze Mirror Decoration in the Tang Dynasty

中文关键词: 唐代铜镜纹饰  纹样衍生设计  纹样寓意  文化创意产品

英文关键词: bronze mirror decoration of the Tang Dynasty  pattern-derived design  pattern implication  cultural and creative products

中文摘要:

      目的 唐代铜镜纹饰中蕴含着丰富的文化内涵，挖掘其中的精准寓意，结合对应文创产品形式，展现中华民族精神与文化自信。方法 基于研究背景、明确研究流程，提出文物向文创产品转换中存在的问题，同时分点阐述现代文创产品选择唐代铜镜的理由、分析调研问卷反馈信息，针对问卷结果为设计作品提供方向指引。先对资料进行整理归类，形成唐代铜镜纹饰素材库，将所有已知素材分为几何纹、花卉纹、花鸟纹和走兽纹、人物故事和神话传说纹四大部分，并将其逐一编号。再分析唐代铜镜纹饰的艺术内涵。结果 将现代转化方法与四大纹样结合，得出相应文创产品，即“镜怡”化妆品包装设计、“恋念”系列首饰、“鹤骨松姿”文房四宝系列文创、“嫦娥仙子的月宫小日常”——人物盲盒文创产品四件作品。结论 将唐代铜镜纹饰各部分重新排列组合，形成新的文创产品。它们不仅形意结合，更符合现代消费者的审美。潜移默化地将传统文化融入进日常生活，让艺术与生活水乳交融，让文化传承更加高效可靠。

英文摘要:

      The bronze mirror decoration of the Tang Dynasty contains rich cultural connotation. The work aims to explore its precise meaning and show the Chinese national spirit and cultural confidence by combining the form of corresponding cultural and creative products. Based on the research background and clear research process, the problems existing in the conversion of cultural relics to cultural and creative products were put forward. At the same time, the reasons for choosing the bronze mirrors of the Tang Dynasty for modern cultural and creative products were expounded, and the feedback information of survey questionnaires was analyzed, and the design works were provided with directions based on the questionnaire results. Firstly, all data were sorted out and classified to form the decoration material library for the bronze mirror of the Tang Dynasty, and all known materials were divided into four parts of geometric pattern, flower pattern, flower and bird pattern and animal pattern, character story and myth and legend pattern, and then numbered one by one. The artistic connotation of bronze mirror decoration in the Tang Dynasty was analyzed again. By combining the modern transformation method with the four patterns, the corresponding cultural and creative products were obtained, namely, "Jing Yi" cosmetic packaging design, "Lian Nian" series jewelry, "He Gu Song Zi" cultural and creative series of writing materials, and the Daily Activities of the Goddess of the Moon in the Moon Palace - cultural and creative products of blind character boxes. The various parts of the bronze mirror decoration in the Tang Dynasty are rearranged and combined to form new cultural and creative products. They not only combine the meaning and shape, but also conform to the aesthetic of modern consumers, imperceptibly integrating traditional culture into daily life, blending art and life, and making cultural inheritance more efficient and reliable.