以岭南非遗灰塑为例的纤维艺术修复实践研究

Art Restoration Practice by Fibers with Lingnan Intangible Cultural Heritage Clay Sculpture as an Example

中文关键词: 岭南灰塑  纤维工艺  艺术修复

英文关键词: Lingnan clay sculpture  fiber art  art restoration

中文摘要:

      目的 以岭南非遗灰塑为例，探索运用纤维材料及工艺进行艺术修复的创新路径，力求为艺术修复提供新思路。方法 对广州市荔湾区陈家祠和花都区资政大夫祠等典型岭南灰塑建筑实地调研;访谈灰塑国家级非遗传承人邵成村;查阅灰塑文化与艺术修复等相关文献，结合岭南灰塑色彩、肌理、造型、主题等考察资料，进行整理归纳并提炼有效信息。探讨纤维工艺与灰塑残件修复的关联契合，确保艺术修复的合理并顺利进行。结果 完成系列岭南灰塑残件的创造性艺术修复，让庙堂屋脊上“走”下来的灰塑残件重获新生，呈现全新的艺术美感。结论 纤维材料、工艺在一定程度上符合灰塑修复需求。纤维工艺不仅能让诸如灰塑残件的老物焕新，其柔软、保湿、保温的材料特性也能更好地保护修复对象。对推广灰塑非遗文化，让更多的人增进对纤维艺术设计的了解具有一定的积极作用。

英文摘要:

      The work aimsto explore the innovative path of using fiber materials and techniques for art restoration by taking Lingnan intangible cultural heritage, Clay Sculpture, as an example, and strive to provide new ideas for art restoration. Typical Lingnan Clay Sculpture buildings such as Chen's Ancestral Hall in Liwan District and Grand Minister Memorial Temple in Huadu District of Guangzhou were investigated and Shao Chengcun, the national intangible cultural heritage inheritor of Clay Sculpture, was interviewed. By referring to literature related to Clay Sculpture culture and art restoration, and combining the investigation data of Lingnan Clay Sculpture such as color, texture, shape and theme, the effective information was sorted out, summarized and extracted. The correlation between fiber technology and Clay Sculpture restoration was discussed to ensure the reasonable and smooth progress of art restoration. The creative art restoration of a series of Lingnan Clay Sculpture debris was completed, and the debris "falling" down from the roof of the temple was restored to present a new artistic beauty. Fiber materials and techniques meet the demand of Clay Sculpture restoration to some extent. The fiber process can not only restore the Clay Sculpture debris, but also better protect the restored objects with its soft, moisturizing and thermal insulation material characteristics. In addition, this study plays a positive role in promoting the Clay Sculpture as an intangible cultural heritage and allowing more people to improve their understanding of fiber art design.